A raw video edit of serendipitous moments captured via my iPhone when I attended an Instameet at ‘PEOPLE’, a temporary, ground level art installation by artists Low Profile. The PEOPLE artwork is part of celebrations to mark 50 years of Preston’s Bus Station, which was built in 1969 in the Brutalist architectural style.
The Instameet was organised by local curatorial partnership, In Certain Places. An exhibition called ‘Beautiful and Brutal: 50 Years in the life of the Bus Station’ will take place in the Harris Museum and Art Gallery, in Preston, Lancashire, later in the year.
“A journey implies a destination, so many miles to be consumed, while a walk is its own measure, complete at every point along the way.” Francis Alÿs.
One of a sequence of video stories I’ve made about walking along life’s path…
Often my work has related to clothing in action – being worn – and its relationship to the human body moving in space, through time and place. In this sequence I am looking at feet and shoes, the signs and metaphysical messages on the surface of the ‘ground’ and the rhythm of embodied time as it is paced, lived and experienced.
This sequence was filmed in Preston, Lancashire, UK and in Mumbai, Ahmedabad and Mandvi in Gujarat in India, during February and March 2013.
‘”Dolna” sung by Shreya Ghoshal, from the Bollywood movie ‘Morning Walk’ (2009)
Mapping multi-sensory modalities: a research event exploring the theme of body cartographies curated by Dr Rachel Sweeney at The Capstone Theatre, Liverpool Hope University. March 2016
The Earthtomes event revolved around a live Butoh performance led by international Butoh artist Joan Laage. Image of performance below.
Eight artists were selected to present time-based and site-responsive works engaging in themes of cartography and intracorporeality and that integrated body-centred approaches within digital media.
Featured Artists: Annalaura Alifuoco, Silvia Battista, Dominique Baron-Bonarjee, Fiona Candy, Kris Darby, Jonathan Gilbert, Simon Piasecki, Rachel Sweeney
For Earthtomes I provided radio headphones so that participants could experience a sequence of audio stories that I created using original recordings combined through digital collage.
The immersive sounds of footsteps brought attention to the presence of the body in motion and the acoustic qualities of places, spaces and moments – as they are stepped into life.
Participants could explore the theatre building and its surroundings as they listened. Access to drawing materials encouraged the production of tactile cartographic responses to their individual multi- sensory experiences of moving in acoustic space.